How does data taste, smell, feel, and sound?

What moves you? The patterns of we, me inform.

This exhibit engaged the community in a year-long research project exploring how artificial intelligence and digital images change human behavior.

First, I partnered with a statistician to investigate how a causal algorithm fed by billions of digital actions, signifiers of microcultures, could predict how different images alter behavior. We were constantly iterating, a process of play and discovery that resulted in showing 30,000 people a bird I drew.

Second, I asked avant-garde musician Elliot Sharp to create musical representations of counterfactual worlds, a concept central to causal inference. A counterfactual world exists ‘but for’ some element that happened in the past. E#’s final piece repeatedly played patterns of music, eliminating sounds with each repetition and radically altering the reality.

Thick text inspired by Barbara Kruger covered the bathroom walls and read: THE PATTERNS OF ME, WE (IN) FORM. Mirrors played a central role: when an individual stood in front of the mirror to wash their hands, the ME text on the wall read WE in the reflection.

470 Park Avenue South.

If the first object had not been, the second never had existed. 

Hume, 1748

Previous
Previous

Mindful Tongues

Next
Next

Breathe In/X